(1984)
This collection includes the first fiction Ayn Rand ever sold—the
synopsis of an original 1932 screenplay, Red Pawn. It also contains
unpolished, but charming short stories which she wrote in the late 1920s and
early 1930s while she was still learning English, and mature works such as the
stage plays Think Twice and Ideal and scenes cut from
the published edition of The Fountainhead.
Published together for the first time, here are Ayn Rand’s three
compelling stage plays. Written in 1933, and a Broadway success in 1935,
Night of January 16th is presented here in its definitive, final
revised text—a superb dramatic objectification of Ayn Rand’s vision of
human strength and weakness, a play famous for the author’s refusal to
prearrange a dramatized verdict, leaving the solution to the audience. Also
included are two of Rand’s unproduced plays: Think Twice (1939),
a philosophical murder mystery, and Ideal (1934), the author’s
bitter indictment of people’s willingness to betray their highest values,
symbolized by a Hollywood goddess seemingly fleeing the authorities.
(1934)
This play is a murder trial abounding in plot twists and original devices. The
play has two different endings available—to reflect the actual verdict of a
jury selected each performance from the audience.
A short story, written and narrated by Ayn Rand, about the functioning of
an artist’s creative process.
(1966)
Essays on the theory and history of capitalism arguing that it is the only
moral economic system, i.e., the only one consistent with individual rights and
a free society. Includes: “What is Capitalism?” “The Roots of War,”
“Conservatism: An Obituary,” and “The Anatomy of Compromise.”
(1964)
Ayn Rand’s revolutionary concept of egoism. Essays on the morality of
rational selfishness and the political and social implications of such a moral
philosophy. Essays include: “The Objectivist Ethics,” “Man’s Rights,”
“The Nature of Government, “The ‘Conflicts’ of Men’s Interests,” and
“Racism.”
(1982)
Everybody needs philosophy—that is the theme of this book. It demonstrates
that philosophy is essential in each person’s life, and how those who do not
think philosophically are the helpless victims of the ideas they passively
accept from others. Essays include the title essay, “Philosophical
Detection,” and “Causality Versus Duty.”
(1961)
A collection of the most challenging philosophical statements by the characters in her novels. The 48-page essay sweeps over the history of thought, showing how ideas control civilization and how philosophy has served for the most part as an engine of destruction.
(1969)
Ayn Rand’s philosophy of art, with a new analysis of the Romantic school
of literature. Essays include: “Philosophy and Sense of Life,” “The
Psycho-Epistemology of Art,” and “What is Romanticism?”
(1967)
The Objectivist theory of concepts, with Ayn Rand’s solution to “the
problem of universals,” identifying the relationship of abstractions to
concretes. Includes an essay by Leonard Peikoff, “The Analytic-Synthetic
Dichotomy,” and, as an appendix, transcripts of Ayn Rand’s workshops
containing her answers to questions about her theory raised by philsophers and
other academics.
(1969)
During the last half of 1962, Ayn Rand was a weekly columnist for the
Los Angeles Times. This book contains those 26 articles along
with several other unanthologized and lesser-known pieces by her.
Edited by Harry Binswanger (1986)
A mini-encyclopedia of Objectivism, covering 400 alphabetized topics in
philosophy and related fields. Edited by Harry Binswanger.
By Ayn Rand, edited by Peter Schwartz (1998)
Return of the Primitive updates and expands Ayn Rand’s 1971
book The New Left: The Anti-Industrial Revolution, and presents
her identifications of the intellectual roots and goals of the New Left, a
’60s ideology opposed to industrial society. In his essays, Peter Schwartz
explains how that same philosophy—in a different guise—permeates our culture
today.
(1989)
Philosophy and cultural analysis, including “Who Is the Final Authority in Ethics?” Also “Religion Versus America” by Leonard Peikoff, and a critique of Libertarianism by Peter Schwartz.
Edited by Robert Mayhew (2005)
After the publication of Atlas Shrugged in 1957, Ayn Rand
turned to nonfiction writing and occasional lecturing. Her aim was to bring
her philosophy to a wider audience and to apply it to current cultural and
political issues. The taped lectures and the question-and-answer sessions that
followed not only added an eloquent new dimension to Ayn Rand’s ideas and
beliefs, but a fresh and spontaneous insight into Ayn Rand herself.
Ayn Rand Answers is a collection of those enlightening Q & As. Topics
covered include ethics, Ernest Hemingway, modern art, Vietnam, Libertarians,
Jane Fonda, religious conservatives, Hollywood communists, atheism, Don
Quixote, abortion, gun control, love and marriage, Ronald Reagan, pollution,
the Middle East, racism and feminism, crime and punishment, capitalism,
prostitution, homosexuality, reason and rationality, literature, drug use,
freedom of the press, Richard Nixon, New Left militants, HUAC, chess, comedy,
suicide, masculinity, Mark Twain, improper questions, and more.
By Ayn Rand, edited by Tore Boeckmann (2000)
In 1958, Ayn Rand, already the world-famous author of such bestselling
books as Atlas Shrugged and The Fountainhead,
gave a private series of extemporaneous lectures in her own living room on the art
of fiction. Tore Boeckmann and Leonard Peikoff, for the first time, bring to
readers the edited transcript of these exciting personal statements. The Art
of Fiction offers invaluable lessons in which Rand analyzes the four essential
elements of fiction: theme, plot, characterization, and style. She demonstrates
her ideas by dissecting her best-known works, as well as those of other famous
authors such as Thomas Wolfe, Sinclair Lewis, and Victor Hugo. An historic
accomplishment, this compendium will be a unique and fascinating resource for
both writers and readers of fiction.
By Ayn Rand, edited by Robert Mayhew (2001)
In 1969 Ayn Rand gave a series of informal lectures on the art of
nonfiction to a select group of friends and associates. Guided solely by a
brief outline, the world-renowned author discussed all aspects of creating
effective nonfiction, a skill she believed could be learned and mastered by any
rational person. Now, for the first time, the edited transcripts of these
remarkable sessions are available to readers and writers. In The Art of
Nonfiction, Rand takes readers step by step through the writing process,
providing insightful observations and invaluable techniques along the way. She
discusses the psychological aspects of writing and the different roles played
by the conscious and the subconscious mind. She talks about articles and
books, explaining how to select a subject and theme (“If you have nothing new
to say, no matter how brilliantly you can say it, do not do it”); how to
identify your audience; and how to write the first draft. From preparing an
outline to polishing a draft to mastering an individual writing style, this
crucial resource introduces the ideas of one of our most enduring authors to
a new generation. This book, an essential companion piece to
Ayn Rand’s The Art of Fiction, is at once a
fascinating philosophical discourse on the art of creation and an invaluable
guide for the aspiring writer or student. It is a treasure that will
challenge and edify and illuminate the way to more powerful writing.
(1962–66)
This 224-page volume is a penetrating, philosophical dissection of the events
and ideas dominating our culture.
Among its contents: an elucidation of the two political issues with which the practical fight for freedom should begin; a moving tribute to Marilyn Monroe; illuminating reviews of books by authors as diverse as Victor Hugo and Mickey Spillane; and replies to questions about Objectivism in the “Intellectual Ammunition Dept.”
(1966–71)
Here are 69 issues of a monthly journal on the theory and application of
Objectivism. This 1,120-page volume covers a fascinating range of issues from
a radical analysis of the nature of concepts to a piercing description of life
for dissidents in Soviet Russia, from an examination of the requirements of
mental health to an intriguing explanation of why Calumet “K”
was Ayn Rand’s favorite novel.
(1971–76)
Why did Ayn Rand say that “the pre-condition of inflation is
psycho-epistemological”? What philosophical lessons did she draw from
America’s disastrous involvement in Vietnam? Her superlative ability to
untangle the intellectual significance of world events is displayed in full
force in this 400-page volume.
Edited by David Harriman (1997)
An extensive collection of Ayn Rand’s thoughts—spanning forty years—on
literature and philosophy, including notes on her major novels and on the
development of the political philosophy of individualism. Features
Ayn Rand’s 1947 HUAC testimony and her notes about Communism in
Hollywood.
Edited by Michael S. Berliner (1995)
This collection of more than 500 letters written by Ayn Rand offers much
new information on her life as philosopher, novelist, political activist, and
Hollywood screenwriter. Includes letters to fans, friends, Hollywood
celebrities, business leaders, and philosophers. Edited by Michael S.
Berliner.
Edited by Robert Mayhew (1995)
Notes Ayn Rand made in the margins of the works of more than twenty
authors, including Barry Goldwater, C. S. Lewis, and Ludwig von Mises.
Edited by Richard Ralston (1999)
When it comes to their professional lives, America’s businessmen are generally the most rational, reality-focused, egoistic group in our culture. Yet they overwhelmingly reject philosophy as meaningless abstractions, irrelevant to life.
By Ayn Rand (1998)
Ten years before her first novel, We the Living, was
published in the West, a teenaged Ayn Rand wrote two booklets in the USSR
about the American film industry, Pola Negri and Hollywood:
American City of Movies. These recently discovered works are published
here in English for the first time.
Edited by Gary Hull and Leonard Peikoff (1998)
The Ayn Rand Reader combines, for the first time in one
volume, extensive excerpts from all of Ayn Rand’s novels (Atlas
Shrugged, The Fountainhead, We the
Living, and Anthem) and her nonfiction work.
The fiction excerpts present her dramatic, man-glorifying universe. The
nonfiction excerpts explain Objectivism’s fundamental ideas, such as reason,
rational selfishness, and laissez-faire capitalism. For example,
Ayn Rand’s essay “Man’s Rights” is used to explain the foundations of
individual rights and capitalism.
The Ayn Rand Reader is recommended both to readers new to Ayn Rand and to those already familiar with her work.
Edited by Marlene Podritske and Peter Schwartz (2009)
Half a century of print and broadcast interviews of Ayn Rand are included in
Objectively Speaking. This collection includes print interviews
from the 1930s and 1940s, and edited transcripts of radio and television
interviews from the 1950s through 1981. Ayn Rand’s unusual and strikingly
original insights on a vast range of topics are captured by prominent
interviewers in American broadcasting, such as Johnny Carson, Edwin Newman,
Mike Wallace and Louis Rukeyser. A remarkable series of radio interviews over a
four-year period at Columbia University are also included. An appendix provides
a transcript of a radio program of Leonard Peikoff discussing Ayn Rand’s
unique intellectual and literary achievements.
